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TONY
SLATER
"Tony
Slater has superior knowledge and tuning technique. He can trouble
shoot in order to tune and repair a note in a timely manner
without fishing
around, trying to find the right place to strike. He goes directly
to the
problem, making every stroke count,which results in less wear
and tear on
the instrument. When you add the fact that he is so friendly
and personable,
he
is definitely my choice as tuner."
Carlos
Torres - Percussion Director
VMT
School of Communications and Fine Arts , Laredo, Texas
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There is hardly a pan innovation
existing in Trinidad that hasn’t been in collaboration with Tony Slater
due to his uncanny feel for the metal used in them and his intuitive
method of working with it. His genius in fabrication and tuning
will give shape and voice to any steelpan design, concept, or invention
anyone can imagine. He worked with the legendary leader of
The Desperadoes Steel Orchestra, Rudolph Charles, on his designs.
He has worked with Bertie Marshall
since 1965, learning his unique tuning techniques, pretuning, and collaborating
on all his inventions and innovations including the most recent,
the perfecting of the design for sustainable tuning and tonal
quality of the Bore Pan.
Because of Slater’s
endless contributions to the pans of Desperadoes,
the bands sponsor, West Indian Tobago Company, awarded him their
Recognition of Service award. The Desperadoes currently play his
pans. He has toured England, Nigeria, Cuba, and the United
States as the blender for various bands. When Slater
was tuning for Trinidad's Movant Laventille Secondary School,
the band won many Schools' Panorama 1st Place Championships for
Carnival. He currently tunes for Arima Senior Comprehensive
School. He also tunes and blends for bands in Japan, New
York, and musicians and schools in Texas.
Slater has been evolving
the techniques used to improve the sound of the steelpan by studying
and working the metal for 35 years. He continually educates
panmakers, band leaders, and professors on
the absolute necessity of a pan being constructed correctly from
the beginning. He teaches that each note is to be set properly
in order for it to produce its distinct fundamental tone as well
as make it capable of being tuned harmonically correct and then
blend successfully with every other note on the pan. Slater taught
a year’s course on constructing and tuning steelpans for the
Trinidad & Tobago Ministry of Culture to members of the Trinidad
& Tobago Police Force, the Trinidad & Tobago Army,
and the Nigerian Army. He conducted a workshop on steel
pan construction, tuning, and performance techniques at North
Texas State University School of Music.
Tony Slater is charting the future course of steelpan development
and standardization. His superior tuning capabilities can
meet the specifications demanded by any band or musician for better
tonality.
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Tony Slater clinic at Tyler Junior College |
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STEEL ISLAND
P.O. Box 3223
AUSTIN, TX 78764
800-525-6896 U.S.A. and Canada
Phone / Fax (512) 266-7995
email: pan@steelisland.com
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by Viper Sites
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